
Silent movies are such a fascinating look into film as a medium. Using very little dialogue (those little cue cards that pop up intermittently, you really have to rely on the actors' body language and the cinematography as a whole. With silents, one has to be fully dedicated to the film as a whole. I love them for the innovative use of a new medium, the look back at clothing, and the expressive acting. Here are a couple of recent views into this moldering Art Form.
Director DW Griffiths' fave leading lady stars in WAY DOWN EAST, an interesting curio about a small town girl (Lillian Gish) who is sent to live with her rich cousins in the Big City. Naturally, they treat her like the wicked step-sisters they are, but is romanced by a lothario who has big ideas about getting Anna on her back. He stages a "marriage" gets Anna pregnant, then announces they're not married at all and DUMPS her!!! Rapscallion!!! Needless to say, she has the baby in a seedy boarding house, and the peril ensues. Griffith is pretty heavy handed with the Bible stuff and the moral is pronounced early on, but that's Griffith. Gish, however, gives a lovely (and usual) performance as the Damsel in Distress, her beautiful, heart shaped faced, huge eyes brimming with tears consistently expressive and fine. In one famous scene, Anna is stuck on an ice flow, and nearly loses her life as it drifts dangerously toward a water fall. Fun stuff because, as Gish would later assert, there was no such thing as a stunt person, so that was her out on that frigid river, scared to death as she moved steadily toward the cascades. That's not acting! That's terror.
The Flapper stars little known (now) Ziegfeld Follies Girl cum comedienne, Olive Thomas in a really hilarious film about a boarding school girl, again, off to the Big City on "an Adventure!" Well she gets into one, in a way she didn't expect. Framed for a robbery she didn't commit!!! When Olive returns home in the form of a Vamp, her senator father is scandalized. Oh, this is a really fun romp from David O. Selznick's brother Myron, and you can tell there was no expense spared on the quality of this film. Even creative cards come up, and I was giggling with delight. I had never heard of Thomas before, nor of her marriage to drunken lout Jack Pickford, (Mary's brother), nor of her tragic death in Paris at 27. The accompanying documentary is well worth the rental alone, though why they got one of those dreadful Arquette sisters to narrate is beyond me, considering Thomas was a huge star at the time, and the Arquette's nothing but aged starlets.
Something with sound, 1955's The Eddy Duchin Story. Starring Tyrone Power as the famed Society Pianist is a glossed over, Technicolor, Cinemascope bio-pic that Hollywood was famed for. The highest grossing pic for Fox that year, it's big and over'blown, but Power is his likeable self, though Kim Novak is a complete and utter bore as his first wife. Hounded by tragedy, Duchin was a favorite with High Society for his theatrical, and sorta on the sweet side piano playing, but provided entertainment...a precursor to Liberace. Duchin's son Peter continues the legacy, long after Duchin's early death of Leukemia. You know where this saga is going, but I have to give the director credit for an innovative smash finale.
Speaking of DREADFUL Gay Flix: Shelter, starring has been Brad Rowe and some other guy as a couple of surfers who fall in love. Ugh. They call each other dude alot, drink beers, do nasty things with each other in bed. This is the kind of SEE HOW STRAIGHT GAY GUYS CAN BE crap that Logo (Lifetime for Homos) produces with a regularity that's ghastly. I was bored to tears.
Sometimes it's just better to be silent.

