Monday, June 30, 2008




"I wanted to be famous, just to make the kids who'd laughed at me feel foolish. I wanted to be rich, so I'd never have to do the awful work my mother did and live at the bottom of the barrel--ever....Maybe the illusions, the daydreams, made life more tolerable, but I always knew, whether I was in school or working in
some damned dime store….
I'd make it.”

Joan Crawford





WATCH IT! HEY! I’M DORIS DAY!

Rizzo------------------------------------------------------------------------------


I was a virgin until age 19. Blame it on Television.
In high school I ran with two close friends, who, months after graduation, Came Out. Having never been In, per se (I was Thespian president---flamboyant to the hilt---budding Garbo that I was), been taunted by classmates my entire life, harangued by that clown that brought home the butter (he worked in a margarine plant---ain’t life a scream), being openly gay was a welcome relief.

As stated many, many, maaaaaaany times before, old movies run on TV (it used to be free) were sanctuary from abusive behavior on the part of Dad, the insanity of the Vietnam War, Nixon sweating out his last days, angry protests, the era. I mean, I didn’t even realize that police officers had another title not linked directly to a farm animal until I was ten. Mom called them names (with an oink oink here, and an oink oink there) defiantly at protests, she of waist-length chestnut hair pinned up away from her face with a single wooden thingy, my little brother strapped to her back, screaming bloody murder, his little feets sticking out of the pack just low enough to kick me upside the head with his little white shoes. Little bastard. Mom’s always at her best when called to a cause.

That was childhood, dahling. And you wonder why I watched escapist fantasies directed by Vincente Minnelli or George Cukor? Why Bette Davis and Joan Crawford appealed to me? They were well clothed, well coiffed, well lit, made entrancing entrances, became successful business women, dominated weak men hither and thither, killed them, died of broken hearts or dypsomania. Who the hell needs pigs in a world like that. The problem was, I related more to women than men, and when you’re faggy as that, and your idea of relationships and virginity and What Is Love are based on Patty Duke or Debbie Reynolds, well, you’re not going to get laid. In Life no John Gavin is going to sweep one off one’s feet, Cary Grant won’t be waiting atop the Empire State Building, Laurence Olivier shan’t brood away in the heather--- regardless of what tinsel town doles out to the daydreaming masses. It wasn’t until a most uncivil breakup did I realize that life was not a bowl of cherries, but really just the pits.

Lesson: If life tosses one fruit, add cracked ice, four fingers vodka and stir.

Of course, my wardrobe did little except garner compliments in night clubs. Who wants to sleep with the guy in the brocade skirt? Looks daring on the runway, but has a dreadful effect on one’s chances of scoring. It was, in my defense, a time of androgyny. Boy George. Pete Burns. Dreamy Adam Ant. Liquid eyeliner. Lace. Pearls and brooches. To carry off such garb one must be brave, inaccessible, enigmatic. I made most of my clothes, and, consequently, was often pinned into these rags or hems would be tacked up with boxing tape (which, by the way, holds up well in the laundry). Breeches make wonderful chastity belts! It’s only natural that my virtue was lost to a cross dresser in the backseat of a Jetta--had a twin brother--did some kind of sister act in Vancouver. Handsome, charming, and dressed in man wear when we met. The dresses came later. We’d gone out a few times, and I decided that I was in the flush of True Love. When he suggested we move to the backseat I probably said something ridiculous like “Oh darling, of course!”

I don’t remember much about the event except it was as cold as a Southern California December can be, parked on a side street in Hollywood. No champagne. No flowers. Naturally, I had NO idea what the hell I was doing, so when he said “blow me,” one obliged. I gagged and choked at first, and then there was a lesson about teeth (I have lots of them and they cost thousands), but he didn’t bother to warn me about the end result, which was a shock, don’t ask me why. It’s only fair that a fellow utter a gentle warning---am I wrong? A few nights later at “The O” he started fondling me in public! I resisted (Tammy would never allow such a thing), and being the kind of bitch that only a drag queen can be, he yelled “You fucking frigid little virgin,” storming off in a cloud of Chanel #5.

Back to virtuous enigma.

Kenny turned up at a party in Pomona, of all places. He was tall, handsome, blond. My type. Lived way the hell out in the San Fernando Valley. I’d drive my ’67 Pontiac Catalina Convertible at top speed to what seemed the edge of the world, giddy with excitement. The top down--- man! You should have seen it. Powder blue, big as Carnegie’s Pullman, gas mileage about seven to the gallon, power everything, took speed bumps at 40 miles per. When the transmission finally went out, I drove it in reverse up SanMo, right on Doheny, round the swirly streets of West Hollywood and left it in the Safeway parking lot.

Anyway, we had four or five dates---I don’t remember---and again, it was Love. When I was finally asked to stay the night, after a respectable period of courtship, what could I say but sure. There was a rather prominent bar in the billiard room. It was the first time I’d spent a night in a man’s bed and the first time a man spent several minutes inside of me. It hurt like hell, but he was very gentle about the whole thing.

“I could stay in you all night,” he said, drifting off to sleep.

Covered in jizz, a little appalled at the thought of it, I lay there, stroking blond locks, thinking of the act itself and of our future together.
I’d finally met the One.

When we woke the next morning, mascara had crept into my left eye. Swollen. Red. A svelte Charles Laughton in The Hunchback of Notre Dame. One supposes the lesson here is use waterproof cosmetics exclusively. Several days went by, me, the phone within arm’s reach. Finally, I broke down, bought a benign greeting card inscribing it Thinking of You, C., popped it in the mail. Days later, one of his good friends called and asked to meet him for dinner at French Market. It seemed strange, but I guess I was expecting some sort of surprise---Kenny sweeping into the restaurant with flowers and candy (or better yet, a diamond tennis bracelet), and kneeling to ask me to be his One and Only. A serenade! What I got that night was a stern but gentle scolding. His friend was nice as he could be about it, tried to let me down easy, but it was clear I wasn’t going to see Kenny again.

Long, long drive home.

Men are jerks.

I didn’t have sex for ages.

Celibate, yes. But stylishly so!

At 21, I was living in San Francisco, on Castro no less, with two roommates who were as exotic as I in their fashion sensibilities. We shared outfits (mine were still made by hand; theirs costly and designer). We’d go out just as chic as European fashion plates, wearing crushed velvet gloves to our armpits and being just as fabulous as you could be in the gay mecca. I worked at Vidal Sassoon on Post Street---loved the look. Japanese tourists would stop on the street, take pictures, giggling shyly the whole time. At this point I’d adopted a Mozart look (a film was hugely popular), making clothes from yellowed tapestry drapes found in thrift stores. I knocked off a jacket of pleather and faux fur seen in some music video, wore opera pumps and tights. Skirts stayed in the picture. I’d walk through Union Square hearing folks cry “there’s that guy who always wears a dress.” A totally inaccessible look. Attitude included if you order in the next 19 minutes!

One night the gang was out (there were about six of us that hung together) at The Midnight Sun. We owned that bar, as far as we were concerned, and if anyone was sitting in our spot against the wall between two particular lighted posts, we’d gather round the offending party and “smoke them out” of the bar. Amazing the power of six chain-smoking fags. I’d dressed fairly normally in a borrowed sweater in hound’s-tooth check, black stirrup pants and patent leather oxfords. Tipper Gore casual. This extremely handsome guy kept looking our way, and when it was my turn to get drinks (it was winter, so we were drinking vodka cranberry, from which we’d switch after Memorial Day, when outfits went pale, to vodka tonic) he reached across his friends, lightly grabbed my arm asking “did you get that sweater at BeBe?”

“I got it from my roommate’s closet. You can ask him.”

I wasn’t being flippant. I was flabbergasted that this stunning guy, who looked for all the world like a young republican (he was), would want anything to do with a scrawny dork like me. He flashed a huge grin, I beamed back coquettishly, and made my way back to our spot, juggling drinks like a person who can carry six drinks without spilling a drop.

“What did that guy say to you?”

“He asked if I got my sweater at BeBe. I told him I got it out of your closet.”

“He’s adorable.”

“If you like senators.”

We all laughed.

I watched wistfully as he walked out, entourage in tow. I had an opportunity to talk to this gent, and blew it. I’m awkward and clumsy at small talk. Often things come out of my mouth that are either insulting or stupid (stupid works really well with guys, mind you) when nervous. I’d cut the conversation short because I was shy. Not many men made advances. The whole thing frustrating and unnerving.

I think it was a Thursday night, because we headed out to a disco that was always packed on Thursdays. For the life of me I can’t remember the name of the club. It was South of Market, and if you were anybody, there you’d be dancing, regardless of what your work schedule was on Friday. We’d only just arrived and in line to get more drinks when someone tapped my shoulder.
Lo and behold, the young republican.

“May I have this dance?”

I shoved the cocktail at Christian, whose hair looked especially good that night.
We shouted at each other over the music. I was nervous and stiff, playing up the bleach blond ‘do, grinning like a hyena. We talked jobs, I mentioned Sassoon. We didn’t exchange numbers.
My friends twittered and teased at how silly I looked. All of us were spinsters. The very idea of men, a crashing bore. We functioned much like a sorority; everything kept within the clique.
Blair went back to his friends. Later, he stopped to say goodnight.

Friday morning. I tossed on some wacky ensemble (a Victorian side saddle riding habit---very mannish---brooch rakishly nipping the waist), made my way down Castro to catch the underground. I hadn’t slept thinking about Blair. I was still drunk, which everyone seemed to notice, but made no fuss. We all partied. They’re hairdressers, for god sake, just as bad as bartenders and waiters. Tip dollars drive people absolutely wild.

I was a receptionist (there were four of us). Phones forever ringing. Ringing. Ringing. (For fun we’d pick up lines someone else was on, making strange lascivious breathing sounds into the receiver as they’d finish saying “Rafiki has an opening on Tuesday” or “We don’t do highlights and a perm in the same day.” Huff puff. It broke the monotony, and we LAUGHED!) The kind of wealthy, spoiled, demanding clientele who freak out if a nail’s chipped or a day was disastrously bad in the hair department---All Day Long---day in, day out.

Personal calls were frowned upon, but my peers were cool because we all had personal lives way more important than some absurd receptionist job. Not to mention the fact that one of the English franchisees had recently arrived in San Francisco (Sassoon was then owned by Proctor and Gamble), and, god love them, Brits can be the most arrogant people in the world, especially if one is regarded as The Help.

“Some guy named Blair is on line three for you, Craig,” Kim whispered.

I took the call in the staff room.

“This is Craig.”

“Craig, it’s Blair. We met last night, remember? Can you talk for a second?”

I would have talked an hour.

Star colorist Michael Brown stood, mixing tint in a plastic bowl, loudly clattering while he openly listened in, that smug facial expression I’ve only seen in San Francisco, plastered on his cheeky face. OK, I sounded a fool. He HAD to make some raffish quip about the call, of course. The opening was irresistible. The nerve.

Believe me, I’d have done the same to him.

Momentarily unequipped to quip back, I could only muster a shocked, “I have a date on Saturday.”

The rest of the afternoon was blurred by excited anticipation.

I have a date on Saturday.

The staff gathered around the corner, spending ample tip cash at a saloon, The Iron Horse. Cheap happy hour drinks. Complimentary buffet. Dinner for the price of a few cocktails. I dominated the conversation. We usually each had a turn. We were as tightly woven a family I’ve ever known. Transitory. Momentarily close. Like that odd step-sister from your dad’s second marriage.

Blair arrived at the appointed time. Roommates conspicuously home. There was no way one of us was going on a date without Grilling The Dolt. His outfit would be inspected (he was asked to turn about), a couple of pointed questions would be asked, and if everything was satisfactory, I’d be allowed to go out with this guy without much razzing in the morning.

“Don’t wait up for him,” called Blair as we walked out the door.

“Don’t worry, Doris Day will be home earlier than you think,” one shrieked.

They howled with laughter.

I didn’t come home that night. I didn’t come back in the morning. Somewhere along the line we went down to Fisherman’s Wharf, bought cracked crab, sourdough bread, champagne, had a picnic on the floor of his living room. We’d gone to the symphony the night before, stopped in for a late supper at Harris’s Steakhouse, which had a dress code (jackets only) and I didn’t have one, so they loaned me a dreadful navy jacket in polyester. I went to the bathroom at some point, came out not realizing that the back of the blazer was tucked into my pants. At least I wasn’t trailing a roll of toilet paper.

The following week an enormous dozen American Beauties arrived at the salon.

Beginning of my first serious relationship. In the end, and writing this now, I realize I never got over Blair. Not really. The most poignant memory of him is from the rear of a taxi. He sat in the apartment window, looking down, melancholic, as we drove away.

Small town, San Francisco is. After the breakup we’d run into each other in bars; invariably Blair would be with someone else. It was a difficult year together (my neurosis became painfully evident; no matter how reassuring Blair was, I never felt good enough for him).

I left town after six months, fleeing to Los Angeles. Blonder than ever.

Thursday, June 26, 2008

NETFLIX PICK OF THE DAY!



WRITTEN ON THE WIND


OK, kids. Fasten your seatbelts! It's going to be a bumpy night with this one!


WRITTEN ON THE WIND, a dazzlingly overwrought, over-acted, over-designed, hyper-Technicolor 1956 soaper from legendary director Douglas Sirk (Imitation of Life, Magnificent Obsession, All that Heaven Allows) is a doozy. Before the credits even roll, you get where THIS movie's going. Speeding drunken driver Robert Stack, drinking corn liquor from a bottle, whizzing by oil wells (the family biz) and into the driveway of a plantation style mansion (yes, with black servants below deck), a weak but worried Lauren Bacall at one window, dypso-nympho Dorothy Malone at another.....then a gun shot! Opening credits roll!

There's a lot of hidden symbolizm going on here. For instance, all characters are color-coded, meaning their costumes. They can go from bright to somber, depending on mood. As Lauren Bacall leans away from drunken Stack and into the arms of Hudson, her togs go from grey-blue to brown. Oh, the change is subtle, and unless you read anything about this movie, it could go unnoticed. Malone's costumes, conversely, are generally BRIGHT pink or black. Her dizzyingly WILD dance to cah-razy jazz music as Rome Burns (so to speak) is outrageous, campy and downright hilarious. Incidentally, she won a Best Supporting Actress Oscar for her role. Even the lighting and the deeply saturated Technicolor is highly stylized.

WOW (as it was known in Hollywood circles at the time---and boy, is it), was produced just as the antiquated Hays Code was being broken down, and the film (which predates Peyton Place by a year or so) exploits those subtle changes in the public's taste for the sordid. A must for anyone interested in Hollywood film making.

It's DEVOON.


Read more about Douglas Sirk at http://en.wikipedia.org/wiki/Douglas_Sirk


Tuesday, June 24, 2008

NETFLIX QUICK PIX!!!


TYRONE POWER!

Yes, kids. Craig's been on a kick again! This time over DREAMY Tyrone Power. This fetching actor caught my eye YEARS ago, but I've never had a Tyrone-a-thon! Here are a few nifty Power flix:

ALEXANDER'S RAGTIME BAND: Power stars with Don Ameche and Alice Faye in this Irving Berlin tune-filled schmaltz. Faye starts out as a brassy broad with a set of pipes, and is groomed to the hilt by Power. Ameche (also pretty darned fetching) croons. The band gets popular, and Faye leaves for Broadway. But ETHEL MERMAN steps in as the new singer! You can imagine what the ending is, but this is all about TyPo's HAIR!

IN OLD CHICAGO: Another teaming of Power, Faye and Ameche. Power and Ameche are the O' Leary Brothers (guess what heiffer THEY'RE related to...no not FAYE!), and they spend a lot of time vying for Alice's affection. Who wins? Mother O' Leary's COW of course! She knocks over a lantern and BURNS THE CITY TO THE GROUND! This is a 20th Century Fox disaster flick, and the special effects are swell, considering the era.

Speaking of Fox Disasters: THE RAINS CAME. Power, Myrna Loy, George Brent, Laura Hope Crews, Jane Darwell and a bunch of other familiar faces star in Fox's Backlot Ranchipur, India. The days of Colonization by the English are coming to an end. The Brits are on the way OUT. But not before the Scandalous Lady Eskwith (LOY) puts the moves on Raja Power. Then the rains come, and keep-a coming. An Earthquake, a dam busts, Ranchipur is in a complete plague infested wreck. He the effects are even more spectacular than before. Pretty amazing for 1939.

One of Power's lesser known flix, NIGHTMARE ALLEY is a dilly of a film noir featuring Joan Blondell as ZENA SOOTHSAYER, who teaches Power the ropes of the carny life. Studio Chief Darryl F. Zanuck resisted Power's starring in this vehicle, fearing it would spoil his matinee idol status, but Power fought for the role, got George Jessel to produce, and shows what acting chops he had. Needless to say, this is one of his best roles, and yes, he is shirtless quite a few times. The supporting cast is perfect. I was IMPRESSED. Five Stars for this one!

On another note. One hell of a sappy movie, LOVE IS A MANY SPLENDORED THING, is only worth revisiting for the UNBELIEVABLE restoration! The Cinemascope is WIIIIIIDE as ever, The Technicolor dazzles, the Stereophonic Sound is booming. Filmed partially on location in Shanghai, this tear jerker stars Jennifer Jones (I knew her grand daughter---take THAT Hilary!) as a Eurasian Doctor and DELICIOUS William Holden as a bathing suit wearing American journalist star in this star-crossed love story. Worth the watch for the spectacle.

Speaking spectacular disasters: 16 YEARS OF ALCOHOL. Based on some Scots memoirs about a life of drink (how trite), this first time director's crack at his own memoir is blatantly arty (read: I'm just so full of myself now that I'm sober-r-r-r) and oh, so Scottish. I have better drinking stories than this clown....and more years quaffing!



Tuesday, June 17, 2008

NETFLIX QUICK PIX!



GUN CRAZY

OK, no noir fan am I, but I just happened on a couple of great ones
DEADLY IS THE FEMALE (AKA GUN CRAZY) Has the hottest film duo since, well, Tarzan and Jane. Peggy Cummins and John Dall (woof) give great performances in this little known noir of two bank robbers on the lamb. AND THEY LOVE GUNS!!! This is a hot one for your queue. I was amazed.
Naturally, their is no other Femme Noir than Joan in MILDRED PIERCE. Watch her stalk around in house dresses and heels, tote guns, smoke like a fiend, and deal with her HORRID daughter Veda, and ineffectual hubby. She gets glam, and quick. You'll hate Zachary Scott, but love Ann Blythe as the wretched daughter. Who could as for anything more?! Just think, Crawford was just over 5' but she looks HUGE.
IN THIS OUR LIFE. OK, not exactly noir (too early) but Bette Davis and Olivia DeHavilland play bad sister/good sister with aplomb. A box office bomb, Davis hated it, but a pretty good watch. Charles Coburn and George Brent costar. Oh, this one is a potboiler, but sheesh, Davis hams it up, walks around with nails dripping of BLOOD. Watch her try to frame the up-and-coming black lawyer for a crime he does not commit. Hattie McDaniel is great. Jeannine Bassinger gives great commentary. DO NOT MISS THIS ONE.
Eat your heart out over PAUL NEWMAN and ROBERT REDFORD in THE STING. Yeah, you seen it before, but this is a dazzling 90 mins of sheer pleasure. The plot moves along so quickly, you cannot believe it's over.
Speaking of over: Sidney Pollack. At 73. Director of TOOTSIE, this guy was a pro. How he shall be missed.

Saturday, June 7, 2008

A DOCUMENTARY FOR THE AGES!


YOUNG AT HEART
On Thursday, Mom and I decided to go see YOUNG AT HEART, an uplifting (?) film about a choir of fossils who sing covers of songs by such bands as Sonic Youth or tunes by Bruce Springsteen. Funny, huh? Well, yeah...up to a point. While the movie was enjoyable, well produced, the theater experience was not. First of all, the audience was packed with folks who were somewhere betwixt 70 and death. Now this called to mind the days when I lived in LA, and the County Art Museum would show revivals of films from the last century for on Tuesday afternoons for a BUCK! If you've never seen a Technicolor flick on the big screen, you ain't seen a movie. The trouble was, the Bing Theater was always packed with cantankerous, old, deaf codgers from the (mostly) Jewish retirement centers of the Fairfax district. Talk about a Festival of Flatulence! A Symphony of Snores! A Chorus of What'd He Say?! Naturally, this is what I expected...a movie in Smell-O-Vision.
We found seats in the rear of the Pickford Cinema, Bellingham's only Art House. The seats date back to the Silent Era (hence the name?); You want to be sure and take an Aleve before you go. There's no leg room, no heat, no air. Generally speaking, a sort of Cinema Torture. I hate going there since the movies that get here were seen in other places MONTHS before the burro they strapped the film cans to the back of was pointed northward, slapped on the backside, all in hopes that the flick will arrive in Bellingham before it comes out on DVD. And if you don't see the movie in the week it plays here, then you're screwed. Oh, sure, the popcorn's swell, especially if you don't have dental work that is removed before going to bed. One simply CANNOT gum Jujubees!
Ok. So things are going fine until about the second preview trailer plays, when this old broad with the biggest hair since Ann Miller decides to plant her saggy buttox into a seat in front of me. This cotton candy coiffure, held aloft by HOW many cans of Aqua Net I've NO idea is determind to block my view. I wanted to ask the cow to kindly remove her fall, but instead I changed seats. Oh, I fussed and fumed before making the decision to move, and then decided that I might as well just do it because I wouldn't enjoy the movie at all. (This had happened to me once before at a screening of an Almodovar flick, where this garagantua with Gene Shalitz hair came in mid-film, sat in front of me, obscuring the sub-titles. As far as I'm concerned, I only saw half of one of Almodovar's best...BAD EDUCATION.)
I hate the Pickford!
Anyway, if you enjoy seeing dinosaurs doing a novelty act, dropping like flies, wazzing into colostomy bags or breathing with the help of portable oxygen tanks....YOU'LL LOVE YOUNG AT HEART.
But you probably saw it months ago already.